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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 1.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 3.0 BTS Photograph by Diego Saram</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 4.0 (up) Frame from Volver [i] (2018) Figure 5.0 (down) Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 6.0 (up) Frame from Zero-Sum Game [ii] (2023)  Figure 7.0 (down) Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 8.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 10.0 Frame from Solo un poco Aquí (2024)</image:caption>
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    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 11.0 Excerpt from Shooting script for Solo un poco Aquí (p. 11)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 12.0 Frame from Solo un poco Aquí (2024)</image:caption>
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    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 13.0 Frame from Solo un poco Aquí (2024)</image:caption>
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    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 14.0 Excerpt from Shooting script for Solo un poco Aquí (p. 10)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 13.0 Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 15.0 Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 16.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 17.0 Frame from Artemis app/shot test</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 19.0 Excerpt from Solo un poco Aquí draft no. 2 (p. 16) (18.07.23)</image:caption>
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    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 20.0 Excerpt from Solo un poco Aquí draft no. 4 (p. 16) (06.10.23)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 21.0 Excerpt from Solo un poco Aquí draft no. 4 (p.2) (06.10.23)</image:caption>
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    <image:image>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 22.0 Excerpt from Solo un poco Aquí draft no. 1 (p. 7)  (03.07.23)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 23.0 Frames from Zero-Sum Game (2023)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 24.0 (right) DP on location Figure 25.0 (left) Frame from Artemis app/shot test</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 26.0 Lens test at The Front (Equipment rental agency)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 27.0 Her Room (1963) by Andrew Wyeth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 28.0 Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 29.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 30.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 31.0 Frame from Between me &amp; you[ix] (2023)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 32.0 Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 33.0 (up) Angus and Romeo on the arcade Figure 34.0 (down) BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 35.0 Letter of appreciation for the crew</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 36.0 Frame from Solo un poco Aquí (2024)</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 37.0 BTS Photograph by Cristina Booth</image:caption>
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      <image:title>Blog - true to self&amp;nbsp;: navigating through production constraints - Make it stand out</image:title>
      <image:caption>Figure 38.0 Untitled (I Have Been to Hell and Back) (1996) by Louise Bourgeois</image:caption>
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